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Memos from a Theatre Lab

Nandita Dinesh
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actor audience dynamics
Aesthetics
Audience
audience engagement
Audience Members
Author_Nandita Dinesh
Bogus Woman
Cages
Camp X-Ray
Category=AFKP
Category=AT
Category=ATC
Category=ATD
Category=ATDF
Category=ATDH
Chemins
Ef Ug
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eq_bestseller
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Es Si
Fellow Detainee
Global Refugee Crisis
Immersive Adaptation
Immersive Performance
Immersive Piece
Immersive Theatre
Immersive Theatre Experience
immersive theatre research framework
Indirect Stimuli
Kashmir
Os Ti
Participation
participatory theatre
performance studies
Practice as Research
Project Week
Proscenium Actors
Proscenium Performance
Proscenium Piece
qualitative data analysis
Situational Interest
Spectator Groups
Te Ch
Tg Lo
theatrical methodology
UHC
VR Head Mount Display
VRET

Product details

  • ISBN 9781138219182
  • Weight: 260g
  • Dimensions: 138 x 216mm
  • Publication Date: 06 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

What does Immersive Theatre ‘do’?

By contrasting two specific performances on the same theme – one an ‘immersive’ experience and the other a more conventional theatrical production – Nandita Dinesh explores the ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework. Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of Immersive Theatre, using this investigation to generate an underpinning theory of how Immersive Theatre works for its participants.
About Nandita Dinesh

Nandita Dinesh teaches Theatre Arts and is Associate Director at the Bartos Institute for the Constructive Engagement of Conflict at the United World College, New Mexico.

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