Meriem Bennani – Life on the CAPS
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€44.99
A01=Emily Labarge
A01=Meriem Bennani
A01=Negar Azimi
A01=Tiffany Malakooti
Author_Emily Labarge
Author_Meriem Bennani
Author_Negar Azimi
Author_Tiffany Malakooti
Category=WZ
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eq_isMigrated=2
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Product details
- ISBN 9780941548878
- Weight: 666g
- Dimensions: 9 x 12mm
- Publication Date: 22 Sep 2023
- Publisher: Renaissance Society at the University of Chicago
- Publication City/Country: US
- Product Form: Paperback
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A catalog for an exhibition of the latest chapter in Miriem Bennani’s CAPS film project.
Meriem Bennani is a Moroccan artist who lives and works in New York. Life on the CAPS is the final chapter in her film trilogy of the same name. Set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean, it is rooted in Bennani’s research and reflections on the histories of island societies, biotechnology, and vernacular music. Layering live-action footage and computer-generated animation, Bennani intuitively adapts editing techniques that evoke documentary film, science fiction, phone footage, music videos, and reality TV. Her one-person exhibition at the Renaissance Society marked the debut of this personal, electric yet melancholic consideration of what it is to live in a state of limbo, and this accompanying book captures the film through a combination of still images and selections from a transcript of the film.
Enacting a variety of cunning shifts, Life on the CAPS moves fluidly from the imaginary to the geopolitical and ranges from the microscopic scale of DNA to the global eye of surveillance. At the same time, it engages with the power of individual experience as well as the power of collectivity while building on an emotive, formal experimentation that refutes boundaries.
This volume includes transcripts of conversations between Meriem Bennani and Omar Berrada, Fatima Al Quadiri and Bidoun, Amal Benzekri, and Aziz Bouyabrine.
Meriem Bennani is a Moroccan artist who lives and works in New York. Life on the CAPS is the final chapter in her film trilogy of the same name. Set in a supernatural, dystopian future surrounding a fictional island in the middle of the Atlantic Ocean, it is rooted in Bennani’s research and reflections on the histories of island societies, biotechnology, and vernacular music. Layering live-action footage and computer-generated animation, Bennani intuitively adapts editing techniques that evoke documentary film, science fiction, phone footage, music videos, and reality TV. Her one-person exhibition at the Renaissance Society marked the debut of this personal, electric yet melancholic consideration of what it is to live in a state of limbo, and this accompanying book captures the film through a combination of still images and selections from a transcript of the film.
Enacting a variety of cunning shifts, Life on the CAPS moves fluidly from the imaginary to the geopolitical and ranges from the microscopic scale of DNA to the global eye of surveillance. At the same time, it engages with the power of individual experience as well as the power of collectivity while building on an emotive, formal experimentation that refutes boundaries.
This volume includes transcripts of conversations between Meriem Bennani and Omar Berrada, Fatima Al Quadiri and Bidoun, Amal Benzekri, and Aziz Bouyabrine.
Meriem Bennani is an artist from Morocco who lives in Brooklyn, New York. Bennani’s work has been exhibited at the Whitney Museum of American Art, MoMA PS1, the Guggenheim Museum, Art Dubai, the Foundation Louis Vuitton, Public Art Fund, the Kitchen, and CLEARING, among other venues. Negar Azimi is a writer and editor-in-chief of Bidoun. Tiffany Malakooti is an independent graphic designer and head of special projects at Bidoun.
