Metabolist Imagination

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1960s
1970 Osaka Expo
A01=William O. Gardner
anime
apocalyptic
architecture
Author_William O. Gardner
capsules
Category=AMX
Category=DSBH
Category=NHF
climate change
contemporary
cybercities cyberpunk
English-language
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
futurity
Komatsu Sakyo
megastructures
postwar Japan
ruins
simulation
speculative science fiction
urban Metabolism
utopia
World War II

Product details

  • ISBN 9781517906245
  • Dimensions: 140 x 216mm
  • Publication Date: 14 Apr 2020
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Paperback
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Japan’s postwar urban imagination through the Metabolism architecture movement and visionary science fiction authors 

The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In The Metabolist Imagination, William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era.

This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared concepts-including futurity, megastructures, capsules, and cybercities-making lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more.

The Metabolist Imagination features original documentation of collaborations between giants of postwar Japanese art and architecture, such as the landmark 1970 Osaka Expo. It also provides the most sustained English-language discussion to date of the work of Komatsu Sakyō, considered one of the “big three” authors of postwar Japanese science fiction. These studies are underscored by Gardner’s insightful approach-treating architecture as a form of speculative fiction while positioning science fiction as an intervention into urban design-making it a necessary read for today’s visionaries.

William O. Gardner is professor of Japanese language, literature, and film at Swarthmore College. He is author of Advertising Tower: Japanese Modernism and Modernity in the 1920s.

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