Metamodern Cinema of Taika Waititi

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A01=Kevin Corbett
absurdity
affective connection
Author_Kevin Corbett
Boy
Category=ATF
Category=ATFB
Category=JBC
Category=JBCC1
Category=QD
Category=QDT
director
Eagle vs Shark
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
film theory
Hunt for the Wilderpeople
ironic distance
irony
Jojo Rabbit
metamodernism
Next Goal Wins
Our Flag Means Death
popular culture
post-postmodernism
postmodernism
production
Quentin Tarantino
quirky cinema
Reservation Dogs
sentimentalism
silliness
theory
Thor
tone
touching
transitional
Wes Anderson
What We Do In the Shadows

Product details

  • ISBN 9781666955750
  • Weight: 480g
  • Dimensions: 160 x 232mm
  • Publication Date: 16 Apr 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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In this book, Kevin Corbett demonstrates the prominent role of metamodern cinematic elements in Taika Waititi’s creative works, tracing their emergence over the course of his decades-long career in film and television.

Analyzing a range of Waititi’s films and television shows including Jojo Rabbit (2019), Reservation Dogs, and What We Do in the Shadows (2014), Corbett highlights how the writer-director embraces the concept of oscillation that lies at the heart of metamodernism’s cultural logic by striking an intentional balance between elements that generate insincerity and disengagement and those that invite audiences to sincerely connect with the characters and story. This variation in tone within individual films and programs, he contends, is reflective of a broader cultural shift in the 21st century as we move beyond the limits of postmodernism.

Kevin Corbett is Professor in the School of Communication, Journalism, & Media at Central Michigan University, USA.

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