Metamodernism in Contemporary British Theatre

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A01=Tom Drayton
activist theatre
Andy Lavendar
Anne Bogart
Author_Tom Drayton
British theatre
Category=ATD
contemporary theatre
cultural studies
detachment
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eq_bestseller
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eq_non-fiction
irony
Medamodernism
performance studies
Robin van dek Akker
Timotheus Vermeulen

Product details

  • ISBN 9781350286467
  • Weight: 280g
  • Dimensions: 136 x 214mm
  • Publication Date: 28 May 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Postmodern theatre is dead. A new theatre is rising – one that combines the well-worn postmodern aesthetics of irony, detachment, and deconstruction with a paradoxical interest in authenticity, engagement, and re-construction. Whilst recent scholarship has treated these evolving interests as unrelated shifts in performance aesthetics, this volume proposes a new understanding: that these are part of a wider emerging cultural paradigm – metamodernism.

Metamodernism in Contemporary British Theatre is the first book to focus on metamodernism and performance, offering a pioneering framework by which to identify and understand metamodern theatre. By drawing critical links between the works of performance theorists such as Anne Bogart and Andy Lavender and the metamodern as defined by Timotheus Vermeulen and Robin van den Akker, this book makes a clear, vital, and urgent case for the use of the term metamodernism within mainstream theatre scholarship.

Focussing on small-scale theatre companies across the UK – including Poltergeist, YESYESNONO, Middle Child and The Gramophones, many of whom have not been documented in academia before – this book also provides a unique analysis of the theatre made by British millennials, a generation who have been distinctly affected by specific structures of contemporary precarity coinciding with this wider cultural shift. Through this, Metamodernism in Contemporary British Theatre makes a crucial contribution towards understanding emergent developments in post-millennial theatre practice across Britain and beyond.

Tom Drayton is Senior Lecturer in Acting, Performance and Directing at the University of East London, UK. His primary research interests focus on metamodern cultural forms, theatre of the millennial generation, and contemporary political performance.

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