Metaphors of Motherhood in Marina Warner’s Fiction and Short Fiction

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A01=Souhir Zekri Masson
Author_Souhir Zekri Masson
autobiography
Category=DSA
Category=DSB
Category=DSK
Category=JBSF11
colonialism and motherhood
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist analysis of maternal metaphors
feminist literary criticism
feminist literature
fiction studies
gender identity studies
intersectional feminism research
maternal subjectivity
maternal theory
women's literature

Product details

  • ISBN 9781032649993
  • Weight: 510g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume oversees the fluctuating, but close relationship of motherhood studies, maternal theory, and feminism in Marina Warner’s fiction and short stories. Originating in Chantal Zabus’ analysis of the controversial Sycorax and Ariel in Indigo or, Mapping the Waters, the phrase “sisterly continuum” has inspired this book’s focus on a parallel “motherly continuum” linking and animating the myriad female characters of the most prolific twentieth- and twenty- first- century British cultural historian and novelist. By tracing and analyzing the wide variety of fictional mothers and their maternal practices through the lens of various feminist and maternal theories, this book attempts to deconstruct the false binary oppositions of “good” versus “bad” mother, “biological/ birth” versus foster or adoptive mother, and most importantly, that of motherhood as a patriarchal institution versus mothering as an identity and an experience. Thanks to her fictional exploration of the process of becoming a mother, whether physically, socially, or mentally, and of becoming a sexually mature adult thanks to mothering, Warner’s alternatives to conventional aspects of motherhood offer a wide array of maternal metaphors that nuance the concept of mother and traverse the borders of class, race, and geography. As exiled goddesses and witches, female academicians and mistresses fight their way through colonialism, racism, and misogyny, their paradoxical status as mothers and ambiguous relationships to their daughters and sons bring an extra layer of meaning to their experiences, identities, and perspectives.

Souhir Zekri Masson holds a PhD in English Studies, funded by a British Council studentship, from the University of Strathclyde in Glasgow (Scotland) in 2013. She is currently Assistant Professor and teaches at the Higher Institute of Digital Engineering in Tunisia.

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