Michael Chekhov’s Pedagogy from Europe to America, Volume I

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A01=Lenka Pichlikova-Burke
Actor Training
actor training methods
Author_Lenka Pichlikova-Burke
Category=AFKP
Category=ATDC
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
holistic actor technique analysis
imagination in acting
Michael Chekhov
psycho-physical performance
spiritual grounding techniques
Stanislavsky comparison
Theatre Pedagogy
theatre pedagogy research

Product details

  • ISBN 9781032706399
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study describes and applies the pedagogical method of the actor, director, and dramatic theorist, Michael Chekhov (1891-1955), as a unique phenomenon in the broader context of modern theatre history.

This volume shows how Chekhov took the principles he learned as a student and then as a colleague of Konstantin Stanislavsky at the Moscow Art Theatre and developed them into a new humanistic and holistic dramatic method. Chekhov emphasized images, imagination, psycho-physical acting, a sense of spiritual grounding, ease, centers, atmospheres, and specific techniques that have become famous, such as Psychological Gesture. Chekhov’s method found notable followers in his lifetime and continued to thrive after his death, not only onstage and in films and television, but also in classes taught by his disciples. Volume One provides a historical background, sets Chekhov’s pedagogy in the context of his artistic career describes the basic elements of Chekhov’s method in relation to those of Stanislavsky and other practitioners, and analyzes the presentation of his techniques in his published works. The volume then offers a narrative of the author’s experience learning the Chekhov techniques with the Michael Chekhov Association (MICHA). The chapters are supported by an extensive bibliography, a glossary, and chronologies of Chekhov’s life as well as the teaching of his method, brief biographies of famous actors associated with the Chekhov method, and the Los Angeles County Probate Court documents relating to the death of Michael Chekhov and Xenia Chekhov.

This collection will be of great interest to students and scholars in performance studies.

Lenka Pichlíková-Burke is an actress, mime, theatre scholar, and drama professor active in Europe and New York area. She was a Visiting Assistant Professor of Theatre and Performance at the Conservatory of Theatre Arts at The State University of New York, USA.

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