Michael Jackson and the Blackface Mask

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A01=Harriet J. Manning
African American performance
Age Group_Uncategorized
Age Group_Uncategorized
Animal Kingdom
Author_Harriet J. Manning
automatic-update
Billy Kersands
Black Dancing Body
Black Male Body
Black Minstrel
Black Minstrelsy
Black Performers
Blackface Makeup
Blackface Mask
Blackface Minstrelsy
Category1=Non-Fiction
Category=AVGP
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
Classic Iconography
COP=United Kingdom
Crotch Grab
crow
cultural resistance
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
gangsta
hip
hop
Jackson 5
Jackson's Dance
Jackson's Face
Jackson's Performance
jim
jump
Jump Jim Crow
Language_English
media representation
minstrel
Minstrel Show
minstrelsy
PA=Not yet available
popular music studies
Price_€20 to €50
PS=Forthcoming
race and identity in American entertainment
racial stereotyping
Real Black People
show
softlaunch
theatre history
traditional
Tv Commentary
Virginia Minstrels
White America
White Gloves
White Male Actor
White Male Hegemony

Product details

  • ISBN 9781032508535
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Michael Jackson challenged the power structure of the American music industry and struck at the heart of blackface minstrelsy, America’s first form of mass entertainment. The response was a derisive caricature that over time Jackson subverted through his art.

In this expanded, all-new edition, Michael Jackson and the Blackface Mask argues for the tangible relationship between Jackson and blackface minstrelsy. It reveals the dialogue at minstrelsy’s core and, in its broader sense, tracks a centuries-long pattern of racial oppression and its resistance and how that has been played out in popular theatre. Michael Jackson and the Blackface Mask explores Jackson’s early talent and fame and the birth and escalation of ‘Wacko Jacko’. In relation to all this, the book examines Jackson’s dynamic art as it evolved, from his live performances and short films to the very surface of his own body.

Scholarly and interdisciplinary, this work is suitable for readers across a diverse spectrum of academic fields, including African American studies, popular music studies and cultural theory, media and communication, gender studies and performance and theatre studies. Academic but accessible, this book will also be an engaging read for anyone interested in Michael Jackson and especially in his role as an icon of difference, in America’s dynamics of race and his mass media image.

Harriet J. Manning is Associate Researcher at Newcastle University, UK.

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