Michael William Balfe

Regular price €65.99
A01=William Tyldesley
Anna Thillon
Auld Robin Gray
Author_William Tyldesley
Balfe Operas
Balfe's Work
Balfe’s Work
Bohemian Girl
Bravest Heart
Bravo's Bride
Bravo’s Bride
British musical history
Carl Rosa
Carl Rosa Company
Category=AV
Category=AVLA
Catherine Grey
Charles III
Drury Lane Theatre
English opera research studies
English Operas
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
European cultural exchange
historical performance practice
Kensal Green Cemetery
La Zingara
Le Puits
Mme De Genlis
National Biography
National Library
nineteenth-century musicology
opera composition analysis
Pop Stars
Puritan's Daughter
Puritan’s Daughter
pyne
Pyne Harrison Company
Sir Michael Costa
Victorian era composers
Vocal Score
work
Young Man

Product details

  • ISBN 9781138256484
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Without doubt, Michael William Balfe (1808-1870) was the most successful composer of English opera in the mid nineteenth century. During his lifetime he enjoyed an international reputation and worked with some of the leading singers of the time, including Jenny Lind, Malibran and Grisi. Drawing on previously unused source materials such as letters, legal documents and playbills, this biography of Balfe and in-depth study of his English operas overturns many of the previously accepted 'facts' of the composer's lifestyle. Using London as his base, Dublin-born Balfe spent long periods in Paris and travelled widely in Europe. William Tyldesley discusses the continental influences evident in Balfe's operas and offers new suggestions as to the draw that Paris held for the composer. Far from leading a fairly prosperous and unexceptional life, Balfe is shown to have found himself in financial straits on more than one occasion, and to have employed possibly unethical means of extracting himself from them. Those wishing to perform Balfe's works or to do further research into them, will find Tyldesley's re-examination of the composer a necessary first port of call.