Michelangelo

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A01=Adrian Stokes
artistic legacy analysis
Author_Adrian Stokes
Category=AFKB
Category=AGB
Category=DSC
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
Italian art history
psychoanalytic art criticism
psychological study of Renaissance artists
Renaissance art theory
Routledge classics collection
sculpture appreciation

Product details

  • ISBN 9781138150331
  • Weight: 453g
  • Dimensions: 129 x 198mm
  • Publication Date: 24 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Adrian Stokes was one of the twentieth century's finest and most discriminating writers on art. Of over twenty works of art criticism, Michelangelo was considered by Lawrence Gowing to be the most complete he ever wrote, presenting an understanding of the great artist that no one subsequently could afford to ignore. Stokes brings to bear in this work not only twenty-five years' study and appreciation of Italian Renaissance art and of aesthetics, but also a unique psychological perspective, as he explains in his introduction, which enables him to uncover the depths of the artist's personality. The subtlety of feeling and profound knowledge of sculpture which Sir Herbert Read admired in Stokes's work is also combined with a literary style perfected through his own poetry and criticism. Presenting a unique survey of his subject's literary as well as his artistic legacy, Stokes succeeds, as no other has before or since, in his aim of bringing Michelangelo's greatness into nearer view.

Adrian Stokes (1902 - 1972). British art critic, painter and poet. Significantly influenced by the psychoanalyst Melanie Klein.

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