Michelangelo

Regular price €38.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Martin Gayford
Age Group_Uncategorized
Age Group_Uncategorized
art book
art gifts
art history
Author_Martin Gayford
automatic-update
biographies and autobiographies
biography
Category1=Non-Fiction
Category=ACND
Category=AGA
Category=AGB
Category=BGF
Category=DNBF
constable a portrait
conversations on love
COP=United Kingdom
da vinci
david hockney
Delivery_Delivery within 10-20 working days
donatello the renaissance
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition catalogues
for love or money
frontiers of knowledge
general knowledge
gifts for artists
Language_English
love after love
lucian freud
man with a blue scarf
mid century modern
PA=Available
Price_€20 to €50
PS=Active
renaissance
softlaunch
the yellow house
van gogh

Product details

  • ISBN 9780241299425
  • Weight: 1501g
  • Dimensions: 153 x 233mm
  • Publication Date: 02 Mar 2017
  • Publisher: Penguin Books Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

'An absorbing book, beautifully told and with the writer fully in command of a huge body of research' Philip Hensher, Mail on Sunday

There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and The Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.

'It is a measure of [Michelangelo's] magnitude, and Gayford's skill in capturing it, that you finish this book wishing that Michelangelo had lived longer and created more' Rachel Spence, FT

'One of our most distinguished writers on what makes modern artists tick . . . It is very difficult to cut through the thicket of generations of scholarship and say anything new about David, the Sistine Chapel, The Last Judgement, the Basilica of St Peter's or many of Michelangelo's other masterpieces, but Gayford manages to do so by encouraging us to think - and look - at both the obvious and the overlooked' Sunday Telegraph

'Only the most ambitious biographer can take on the talent of Michelangelo Buonarroti' The Times

Martin Gayford is art critic for the Spectator. Among his publications are: A Bigger Message: Conversations with David Hockney; Man with a Blue Scarf; On Sitting for a Portrait by Lucian Freud; Constable in Love: Love, Landscape, Money and the Making of a Great Painter; The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles; The Penguin Book of Art Writing, of which he was the co-editor; and contributions to many catalogues. He lives in Cambridge with his wife and two children.

More from this author