Michelangelo's Poetry and Iconography in the Heart of the Reformation

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A01=Ambra Moroncini
Antonio Brucioli
Author_Ambra Moroncini
Category=AB
Category=AGA
Category=AGR
Category=DSB
Category=DSBD
Category=QRA
Category=QRAX
Category=QRM
devotional drawings analysis
Elisabetta Sirani
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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Gigliola Fragnito
Holy Mountain
Italian Evangelism
Italian Renaissance art
La Croce
Long Horns
Ludovico Ariosto's Orlando Furioso
Ludovico Ariosto’s Orlando Furioso
Matteo Residori
Michelangelo's Poems
Michelangelo's Poetry
michelangelos
Michelangelo’s Poems
Michelangelo’s Poetry
Neo-Platonism influence
Paul III
Pauline Chapel
Pietro Martire Vermigli
Pope Paul III
Reformation impact on artists
religious reform Italy
Rerum Vulgarium Fragmenta
Sebastiano Del Piombo
Sofonisba Anguissola
sola fide doctrine
Theologia Gloriae
Vittoria Colonna studies
Vostra Signoria

Product details

  • ISBN 9780367881429
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Contextualizing Michelangelo’s poetry and spirituality within the framework of the religious Zeitgeist of his era, this study investigates his poetic production to shed new light on the artist’s religious beliefs and unique language of art. Author Ambra Moroncini looks first and foremost at Michelangelo the poet and proposes a thought-provoking reading of Michelangelo’s most controversial artistic production between 1536 and c.1550: The Last Judgment, his devotional drawings made for Vittoria Colonna, and his last frescoes for the Pauline Chapel. Using theological and literary analyses which draw upon reformist and Protestant scriptural writings, as well as on Michelangelo’s own rime spirituali and Vittoria Colonna’s spiritual lyrics, Moroncini proposes a compelling argument for the impact that the Reformation had on one of the greatest minds of the Italian Renaissance. It brings to light how, in the second quarter of the sixteenth century in Italy, Michelangelo’s poetry and aesthetic conception were strongly inspired by the revived theologia crucis of evangelical spirituality, rather than by the theologia gloriae of Catholic teaching.

Ambra Moroncini is Tutorial Fellow and Italian Convenor at the University of Sussex, UK.

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