Migrant and Tourist Encounters

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A01=Andrea Easley Morris
artists
Author_Andrea Easley Morris
authoritarianism
Brown Skinned Girl
Caribbean Culture
Caribbean diaspora studies
Category=DSBH
Category=JBCT
class
colonialism
communism
contemporary film
contemporary literature
Cosmopolitan Sociability
cuban authors
Cuban Culture
cuban film
Cuban Film Institute
Cuban Government
Cuban Migration
Cuban's migration
De Arena
decolonial cosmopolitanism
decolonization
diaspora
displacement
domination
dominican authors
dominican film
Dominican Migration
Dominican Republic
Dominican Republic's tourism
Dominican's transnationalism
economic crisis
El Retorno
El Terror
emigrants
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethics
ethics of travel encounters
Expatriate Lifestyle
Face To Face
film makers
gender
global inequality research
globalization
Hispanic Caribbean
hispanic film
hispanic literature
history
hospitality
immigration
immobility
imperialism
La Isla
Las Casas
Las Costas
literary migration analysis
migration
mobility
modern literature
narrative
neolibralism
nostalgia
Nueva York
philosophy
poetry
post-Soviet Cuban
postcolonial ethics
postcolonial literature
power
Puerto Rican Academics
race
revolution
Sanky Panky
sex tourism
slavery
tourism
transnational
transnational mobility
trauma
UNEAC
Young Man

Product details

  • ISBN 9780367503789
  • Weight: 439g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Migrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures analyzes the effects of clashing flows of voluntary and involuntary travelers to and from these countries due to an increase in migration and tourism during the last three decades. I compare the ways in which literary works and films reflect on and critique the power relations and ethics of im/mobility and encounter, both on the islands and in destinations abroad. The works draw attention to the interconnectedness of migration, tourism, and other forms of travel as well as immobility, and portray growing local and global inequalities through characters’ disparate access to free, voluntary movement. I consider how the works respond to the question of the moral potential of encounters produced by im/mobilities and the possibility of connection across differences. I argue that Dominican and Cuban artists not only critique neo-colonial paradigms of power and im/mobility, but envision and enact strategies for belonging and, in some cases, suggest a path toward de-colonial cosmopolitanism.

Dr. Andrea Easley Morris is Associate Professor of Spanish at Louisiana State University and specializes in the literature and cultures of the Hispanic Caribbean. Her book, Afro-Cuban identity in Post-Revolutionary Novel and Film: Inclusion, Loss, and Cultural Resistance, was published by Bucknell University Press in 2012. The tension between textual/visual representation and material experience marked by race and gender appears as an ongoing concern in her work on the cultural expression of the Dominican Republic, Cuba, and Puerto Rico. For a future project, she is interested in studying the potential impact of an Afro-Caribbean Diasporic framework on secondary and post-secondary education in Louisiana, a Caribbean outpost in the U.S.

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