Migrant Anxieties

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A01=Aine O'Healy
A01=Aine O’Healy
Albania
Author_Aine O'Healy
Author_Aine O’Healy
Balkans
border management
borders
Category=ATFA
Category=JBFH
comedy
cultural hybridity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film genre
irregular migration
Italy
Lampedusa
mass immigration
Mediterranean
melodrama
noir
post-communism
remapping

Product details

  • ISBN 9780253037176
  • Weight: 531g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Jan 2019
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Hardback
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During a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country's shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Áine O'Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O'Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy's colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O'Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation's borderscape.

Áine O'Healy is Professor of Modern Languages and Literatures at Loyola Marymount University. She is editor (with Katarzyna Marciniak and Anikó Imre) of Transnational Feminism in Film and Media.

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