Migrating Music

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afghan
Afghan Music
Asian Music
Asian Music Scene
Asian Underground
BBC Empire Service
Bossa Nova
Brazilian Bossa Nova
British Asian
bush
Category=AVLW
Category=JBFH
Category=JHBA
Cavern Club
cosmopolitan mediation
Country Music
cultural hybridity
denselow
Desi Hip Hop
diaspora
emin
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
European Jazz
globalisation studies
house
Jazz Stars
Laudan Nooshin
Liverpool Sound
Local Black Musicians
mehmet
migrant
Migrating Music
music and migration
music as social change agent
Musique Afro
Nass El Ghiwane
Nitin Sawhney
Pop Stars
popular
robin
Robin Denselow
transnational identity
UK Music Industry
urban soundscapes
West Coast USA
Young Men

Product details

  • ISBN 9780415633598
  • Weight: 420g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Apr 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music.

In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms.

This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.

Jason Toynbee is Senior Lecturer in Media Studies in the Department of Sociology at The Open University. He does work on copyright and creativity, and ethnicity and the postcolonial condition. Much of his research on those issues focuses on popular music and jazz, as in his books Making Popular Music: Musicians, Institutions and Creativity (Arnold, 2000) and Bob Marley: Herald of a Postcolonial World? (Polity, 2007). Byron Dueck is University Fellow in Music at the Open University. His work focuses on the role of musical and embodied experience in constituting public cultures. The majority of his research concerns First Nations and Métis music in western Canada; other interests include Cameroonian popular music and jazz.