A01=Karen E. Richman
Author_Karen E. Richman
Caribbean
Category=JBSL
Category=JHM
Category=QRRT
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Haiti
Haitian stidies
Karen Richman
Migration and Vodou
religions
ritual
Product details
- ISBN 9780813064864
- Weight: 595g
- Dimensions: 151 x 229mm
- Publication Date: 30 Oct 2018
- Publisher: University Press of Florida
- Publication City/Country: US
- Product Form: Paperback
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This book and accompanying compact disc provide a rare excursion in the innovative ways a community of Haitian migrants to South Florida has maintained religious traditions and familial connections. It demonstrates how religion, ritual, and aesthetic practices affect lives on both sides of the Caribbean, and it debunks myths of exotic and primitive vodou (often spelled ""voodoo""), which have long been used against Haitians.
As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants’ dependence on their home village is dramatically reinforced while their economic independence is restricted.
Using standard ethnographic methods, Richman’s work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti’s chief economic exports.
A volume in the series New World Diasporas, edited by Kevin A. Yelvington
As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants’ dependence on their home village is dramatically reinforced while their economic independence is restricted.
Using standard ethnographic methods, Richman’s work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti’s chief economic exports.
A volume in the series New World Diasporas, edited by Kevin A. Yelvington
Karen E. Richman is director of undergraduate studies at the Institute for Latino Studies, on the faculty of the Departments of Anthropology and Romance Languages and Literatures, and a fellow of the Helen Kellogg Institute for International Studies and Eck Institute for Global Health at the University of Notre Dame.
