A01=Sarah Herring
A01=Simon Kelly
Author_Sarah Herring
Author_Simon Kelly
Category=AGB
Category=AGC
Category=AGN
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Product details
- ISBN 9781857097382
- Dimensions: 230 x 270mm
- Publication Date: 26 Aug 2025
- Publisher: National Gallery Company Ltd
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
This publication reintroduces the artist Jean-François Millet to a contemporary audience while considering his profound influence on British painting.
One of the most famous artists of the late nineteenth century, Millet has not been the subject of a publication in the UK since the 1970s. Accompanying a focused exhibition at the National Gallery, this book examines important aspects of his work, including his artistic practice, his use of models, his method of painting from memory and depictions of women at work on the land are also discussed, particularly their tasks in relation to those of male labourers.
A following text considers Millet’s most celebrated painting, The Angelus, the critical response to it in France and its legacy. The final essay concentrates on Millet in Britain, exploring his popularity among collectors in the late nineteenth century, and his relationships with them and other artists.
Published by National Gallery Global/Distributed by Yale University Press
The National Gallery, London
7 August – 19 October 2025
One of the most famous artists of the late nineteenth century, Millet has not been the subject of a publication in the UK since the 1970s. Accompanying a focused exhibition at the National Gallery, this book examines important aspects of his work, including his artistic practice, his use of models, his method of painting from memory and depictions of women at work on the land are also discussed, particularly their tasks in relation to those of male labourers.
A following text considers Millet’s most celebrated painting, The Angelus, the critical response to it in France and its legacy. The final essay concentrates on Millet in Britain, exploring his popularity among collectors in the late nineteenth century, and his relationships with them and other artists.
Published by National Gallery Global/Distributed by Yale University Press
The National Gallery, London
7 August – 19 October 2025
Sarah Herring is Associate Curator of Post 1800 Paintings at the National Gallery, London.
Simon Kelly is Curator of Modern and Contemporary Art at Saint Louis Art Museum, Missouri.
Simon Kelly is Curator of Modern and Contemporary Art at Saint Louis Art Museum, Missouri.
