Milton, Drama, and Greek Texts

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Attic Tragedy
Balet Comique De La Royne
Book III
Category=DS
Category=DSB
Category=DSG
Category=NHC
Circean Temptation
Circean Transformation
classical reception
De Civitate Dei
drama
early modern literature
Eikon Basilike
Episode Stop
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eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
euripidean influence
Euripidean Tragedy
Euripides
Greek literature
greek tragedy in milton's works
Hannah Crawforth
John Milton
Milton's Approach
Milton's Jesus
Milton's Masque
Milton's Reading
Mock Encomium
Nicholas McDowell
Odysseus's Men
Paradise Regain
Paradise Regain'd
protestant humanism
Protestantism
Russ Leo
Samson Agonistes
Sarah Van der Laan
seventeenth-century theology
Sir William Drake
Stephanus Edition
Tanya Pollard
Tempe Restored
The Seventeenth Century
tragedy origins
Van Der Laan
William Poole
Young Men

Product details

  • ISBN 9781138567450
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Dec 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This collection reconsiders Milton’s engagement with Greek texts, with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer, Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy, two arenas frequently in tension, but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career, from the early masque Comus, through the political and religious prose, to the 1671 closet drama, Samson Agonistes. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together, this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of The Seventeenth Century.

Tania Demetriou is a Lecturer in English at the University of York, UK Tanya Pollard is Professor of English at Brooklyn College and the Graduate Center, City University of New York, USA.