Milton's Italy

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A01=Catherine Martin
Accademia Fiorentina
Ad Patrem
Anglo-Italian Studies
Author_Catherine Martin
Carlo Dati
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Category=NHDL
Charles Diodati
Christ Child
Cosmology
CPB
Dante
Double Justice
early modern cosmology
Early Opera
Epitaphium Damonis
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eq_biography-true-stories
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European Comparative Literature
Hill Top
Il Penseroso
Istoria Del Concilio Tridentino
Italian Humanism
Italian Neoplatonism
Italy
John Milton
Literature
Milton
Milton Studies
Milton's Antiprelatical Tracts
Milton's Commonplace Book
Milton's Italian sources analysis
Milton's Lady
Milton's Masque
Milton’s Antiprelatical Tracts
Milton’s Commonplace Book
Milton’s Lady
Milton’s Masque
Nativity Ode
Nicholas III
Paradise Lost
Petrarch
Protestant Reformation influence
Religious History
Renaisance Literature
Renaissance Italy
Research
Romance Epic
romance epic tradition
Samson Agonistes
seventeenth-century English literature
Seventeenth-century Italy
Sola Fideism
Stripling Cherub
transnational literary studies
Young Men

Product details

  • ISBN 9781138670617
  • Weight: 589g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book joins a growing trend toward transnational literary studies and revives a venerable tradition of Anglo-Italian scholarship centering on John Milton. Correcting misperceptions that have diminished the international dimensions of his life and work, it broadly surveys Milton’s Italianate studies, travels, poetics, politics, and religious convictions. While his debts to Machiavelli and other classical republicans are often noted, few contemporary critics have explored the Italian sources of his anti-papal, anti-episcopal, and anti-formalist religious outlook. Relying on Milton’s own testimony, this book explores its roots in Dante, Petrarch, Ariosto, and that great "Venetian enemy of the pope," Paolo Sarpi, thereby correcting a recent tendency to make native English contexts dominate his development. This tendency is partly due to a mistaken belief that Italy was in steep decline during and after Milton’s travels of 1638-1639, the period immediately before he produced his prose critiques of the English Church, its canon law, and its censorship. Yet these were also fundamentally "Italian" issues that he skillfully adapted to meet contemporary English needs, a practice enabled by his extraordinarily positive experience of the Italian language, cities, academies, and music, the latter of which ultimately influenced Milton’s "operatic" drama, Samson Agonistes. Besides republicanism and theology (radical doctrines of free grace and free will), equally strong influences treated here include Italian Neoplatonism, cosmology, and romance epic. By making these traditions his own, Milton became what John Steadman once described as an "Italianate Englishman" whose classical "literary tastes and critical orientation…were…to a considerable extent" molded by Italian critics (1976), a view that is fully credited and updated here.

Catherine Gimelli Martin is Professor of English at the University of Memphis, USA.

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