Mimesis in a Cognitive Perspective

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A01=Nicolae Babuts
Albert Thibaudet
Anterior Speech Area
Author_Nicolae Babuts
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Category=QD
cognitive approaches to literary representation
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field
French symbolism analysis
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Hubble Deep Field
Le Cygne
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literary theory
memory and storytelling
metaphoric
Metaphoric Field
Mihai Eminescu
mnemonic
Mnemonic Potentials
Mnemonic Projection
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narrative cognition
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patterns
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potentials
representational strategies
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semiotics of literature
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Product details

  • ISBN 9781412818674
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jun 2011
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Mimesis is a critical and philosophical term going back to Aristotle. It carries a wide range of meanings, including imitation, representation, mimicry, the act of expression, and the presentation of self. In modern literary criticism, mimesis has received renewed attention in the last two or three decades and been subject to wide-ranging interpretations. Nicolae Babuts looks at the concept of mimesis from a cognitive perspective. He identifies two main strands: the mimetic relation of art and poetry to the world, defined in terms of reference to an external reality, and the importance of memory in the making of plots or storytelling.

Babuts suggests that there is a material identity we cannot know beyond the limits of our senses and intellect and a symbolic or coded identity that is processed by memory. All writers, including Mallarme in his esoteric poetry, Flaubert in his realist narratives, and Mihai Eminescu, the Romanian poet, in his romantic poems, rely on mimetic strategies to link the two identities: the images in memory to the outside reality. All order their narratives in accordance with the dynamics of memory. Babuts describes this phenomenon with great insight, showing how new traditions are formed.

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