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Mingei
Mingei
★★★★★
★★★★★
Regular price
€43.99
A32=Aaron Angell
A32=Adam Sutherland
A32=Anna Jackson
A32=Dasom Sung
A32=Okazaki Manami
A32=Roisin Inglesby
A32=Sam Thorne
A32=Yoshizawa Tomo
A32=Yuko Kikuchi
Age Group_Uncategorized
Age Group_Uncategorized
arts of the people
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B01=Roisin Inglesby
Category1=Non-Fiction
Category=ACBP
Category=AFP
Category=AFTB
Category=AFW
Category=AGA
Category=AGC
Category=HBJF
Category=NHF
Category=WFV
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Hamada Shoji
Japanese ceramics
Japanese folk art
Japanese folk craft
Japanese textiles
Kawai Kanjiro
Kokeshi
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Traditional Japanese Arts
Yanagi Muneyoshi
Yanagi Soetsu
Product details
- ISBN 9780300274288
- Dimensions: 216 x 270mm
- Publication Date: 26 Mar 2024
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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An exploration of the evolution of the Japanese Mingei (folk art) movement within the context of today’s concerns
Originating in Japan in the 1920s, the Mingei movement was based on the principle that beauty is inherent in handmade, everyday objects created by anonymous craftspeople. Spearheaded by the philosopher Yanagi Sōetsu, and potters Hamada Shōji and Bernard Leach, the movement sought to elevate the status of folk craft in a rapidly modernising society.
This richly-illustrated book covers a wide range of objects associated with Mingei, from ceramics and furniture to textiles and toys, alongside a series of profiles of leading designers and makers working in Japan today. Contributors from a variety of backgrounds explore Mingei’s origins, interpretations and contemporary implications, shedding new light on the ways in which the principles of the movement remain relevant to today’s personal, social and environmental concerns.
Exhibition Schedule:
William Morris Gallery, London
(March 23, 2024–September 22, 2024)
Originating in Japan in the 1920s, the Mingei movement was based on the principle that beauty is inherent in handmade, everyday objects created by anonymous craftspeople. Spearheaded by the philosopher Yanagi Sōetsu, and potters Hamada Shōji and Bernard Leach, the movement sought to elevate the status of folk craft in a rapidly modernising society.
This richly-illustrated book covers a wide range of objects associated with Mingei, from ceramics and furniture to textiles and toys, alongside a series of profiles of leading designers and makers working in Japan today. Contributors from a variety of backgrounds explore Mingei’s origins, interpretations and contemporary implications, shedding new light on the ways in which the principles of the movement remain relevant to today’s personal, social and environmental concerns.
Exhibition Schedule:
William Morris Gallery, London
(March 23, 2024–September 22, 2024)
Roisin Inglesby is curator at the William Morris Gallery. Yuko Kikuchi is head of academic programmes at the V&A. Dasom Sung is assistant curator of Korean Arts, and Anna Jackson is keeper of the Asia Department, both at the V&A. Okazaki Manami is an independent writer and curator. Sam Thorne is director general and CEO of Japan House, London. Naomi Pollock is an American architect who writes about design in Japan. Aaron Angell is a ceramic artist and director of Troy Town Pottery, London. Adam Sutherland is director of Grizedale Arts. Yoshizawa Tomo is a writer and cultural translator
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