Minor Genres in Postcolonial Literatures

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African Writers
Australian Literature
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blogging
Bush Realism
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Creative Non-fiction
Creative Nonfiction
Crime Fiction
Crime Writers
Dalit Literatures
Daughter Buffalo
digital literary forms
digital media
ekphrasis
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genre hybridity
Hard Luck Stories
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literary marginality
Marc Delrez
Minor Genre
minor genres
minor genres in global literature
Murray Bail
Ottava Rima
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Phillips’s Work
post-apartheid literature
postcolonial issues
postcolonial literature
postcolonial literatures
postcolonial poetics
Postcolonial Poetry
Radio Drama
Radio Play
short stories
South African Crime Fiction
transnational writing
vernacular expression
Wasted Years
West Indian Writers
Young Men

Product details

  • ISBN 9780367197902
  • Weight: 430g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 Feb 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Moving beyond the postcolonial literature field’s traditional focus on the novel, this book shines a light on the "minor" genres in which postcolonial issues are also explored.

The contributors examine the intersection of generic issues with postcolonial realities in regions such as South Africa, Nigeria, New Zealand, Indonesia, Australia, the United Kingdon, and the Caribbean. These "minor" genres include crime fiction, letter writing, radio plays, poetry, the novel in verse and short stories, as well as blogs and essays. The volume closes with Robert Antoni’s discussion of his use of the vernacular and digital resources in As Flies to Whatless Boys (2013), and suggests that "major" genres might yield new webs of meaning when digital media are mobilized with a view to creating new forms of hybridity and multiplicity that push genre boundaries.

In focusing on underrepresented and understudied genres, this book pays justice to the multiplicity of the field of postcolonial studies and gives voice to certain literary traditions within which the novel occupies a less central position.

This book was originally published as a special issue of the Journal of Postcolonial Writing.

Delphine Munos is a Humboldt Postdoctoral Researcher in the Institute for English and American Studies at Goethe University Frankfurt, Germany.

Bénédicte Ledent is a Professor of English at the University of Liège, Belgium, and is codirector of the Postcolonial Research Group CEREP.