Minor Moves

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A01=Allison S. Curseen
African American literature
antebellum narratives
Author_Allison S. Curseen
Black geographies
Black girlhood
Black girls
Black play
Black women's literature
Category=DSBH
Category=DSK
Category=JBSF1
Category=NHK
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
fugitivity
Hanna Crafts
Hannah Crafts
Harriet Beecher Stowe
Harriet Jacobs
Harriet Wilson
minoritarian performance
minors
nineteenth-century US literature
performance studies
physical movement
poetics
reading methods
slave narratives
slavery
south
Uncle Tom's Cabin

Product details

  • ISBN 9781469694207
  • Dimensions: 25 x 235mm
  • Publication Date: 31 May 2026
  • Publisher: The University of North Carolina Press
  • Publication City/Country: US
  • Product Form: Paperback
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Scholars and critics have long understood the writing of nineteenth-century Black women as critiquing the figure of Topsy—an enslaved girl in Harriet Beecher Stowe’s influential novel Uncle Tom’s Cabin. Many interpret the works of authors such as Harriet Jacobs, Harriet Wilson, and Hannah Crafts as rejecting Topsy and providing their own corrective representations of Black girls. Through close readings, Allison S. Curseen revisits some of these works to argue otherwise. Instead, she contends that Black girls' physical movements emerge in their narratives not as rejections but as critical reenactments of Topsy.

Minor Moves draws on performance studies, literary studies, and childhood studies to offer provocative and incisive readings of Black girls' movements in nineteenth-century US literature. Curseen challenges readers to pay attention to “minor” movements that appear fleeting, inconsequential, and easy to overlook. Attending to these movements, Curseen argues, is urgent to the project of imagining Black girl life amid the anti-Blackness embedded in American culture. These movements reveal modes of being that work to elude dominant structures and gesture to the abundance of Black life: to growing bodies, fugitive Black female desires, queer geographies, and unruly, childish plotting.

Allison S. Curseen is Cooney Family Assistant Professor of English at Boston College.

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