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Mira Calligraphiae Monumenta - A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Joefnagel
Mira Calligraphiae Monumenta - A Sixteenth-Century Calligraphic Manuscript Inscribed by Georg Bocskay and Illuminated by Joris Joefnagel
★★★★★
★★★★★
Regular price
€87.99
A01=Lee Hendrix
A01=Thea Vignau-wilberg
alphabet
Animals
Art
Author_Lee Hendrix
Author_Thea Vignau-wilberg
calligraphic model book
Category=AFT
Category=AGA
Category=AKD
Category=AKL
eq_art-fashion-photography
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flemish miniaturist
Flowers
Fruit
Gift book
gold leaf
gold pigment
Gothic miniscules
Illuminated manuscript
imperial court artist
Insects
kunstkammer
Leonardo da Vinci
macrocosmic
masks
Michelangelo
microcosmic
Monsters
nature
pigment
Plants
Psalms
Renaissance
Roman majuscules
scripts
silver
silver leaf
symbolism
the Psalms
visual paragone
white vellum
Product details
- ISBN 9781606066584
- Weight: 826g
- Dimensions: 138 x 196mm
- Publication Date: 18 Sep 2020
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Hardback
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Now back in print, "the ultimate book-lover's gift book" (Los Angeles Times)
In 1561-62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand's grandson, the Emperor Rudolf II, commissioned Europe's last great manuscript illuminator, Joris Hoefnagel (1542-1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image.
Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date-a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay's words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks.
Lee Hendrix retired in 2016 from her position as senior curator and head of the Department of Drawings at the J. Paul Getty Museum. Her numerous books include Nature Illuminated: Flora and Fauna from the Court of the Emperor Rudolf II (Getty Publications, 1997) and The Art of the Pen: Calligraphy from the Court of the Emperor Rudolf II (Getty Publications, 2003), both coauthored with Thea Vignau-Wilberg. Thea Vignau-Wilberg is the retired curator of Netherlandish prints and drawings at the Staatliche Graphische Sammlung, Munich. She is the author of the catalogue raisonne Joris and Jacob Hoefnagel: Art and Science around 1600, published in German and English in 2017.
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