Miracles and Machines

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A01=Elizabeth King
A01=W. David Todd
A13=Rosamond Purcell
Age Group_Uncategorized
Age Group_Uncategorized
Ambrosio de Morales
android
art
artificial intelligence
Author_Elizabeth King
Author_W. David Todd
automatic-update
automaton
Category1=Non-Fiction
Category=ABC
Category=ACND
Category=AGA
Category=TB
clockwork
colonialism
conservation
COP=United States
court
Delivery_Pre-order
Diego de Alcala
Don Carlos
engineering
enlightenment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_tech-engineering
fabrication
Franciscan friar
guild
Habsburg
interdisciplinary
Jacob Bulmann
Juanelo Turriano
Kunstkammer
Language_English
mechanical
metalworking
miniatures
miracle
monk
PA=Available
Pacific Standard Time
Pedro de Mena
Philip II
polychrome
Price_€20 to €50
prototype
provenance
PS=Forthcoming
psychology
Reformation
religion
Renaissance
robot
Saint Francis
science
scientific revolution
Servus Gieben
sixteenth century
softlaunch
Spain
technology
walking sculpture

Product details

  • ISBN 9781606068397
  • Dimensions: 203 x 254mm
  • Publication Date: 15 Aug 2023
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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This volume tells the singular story of an uncanny object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to lore from the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562. In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
Elizabeth King, a sculptor and writer, is professor emerita of sculpture and extended media at Virginia Commonwealth University School of the Arts in Richmond. W. David Todd is emeritus conservator of timekeeping at the National Museum of American History, Smithsonian Institution, Washington, DC.

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