Misrepresenting Black Africa in U.S. Museums

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A01=P.A. Mullins
African Art
African Art History
African diaspora studies
Author_P.A. Mullins
Black Africa
Black African
Black African Culture
Black African objects
Black African Parents
Black African People
Black Intellectuals
Black Masks
Carl Van Vechten
Category=GLZ
Category=JBSL
Cincinnati Art Museum
Cincinnati Museum of Art.
Colonial Administration
early African object collectors research
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fanon
Hampton Institute
Hampton University Museum.
Harlem Renaissance
heritage interpretation
identity racialisation
Ivory Coast
Karl Steckelmann
Kuba Kingdom
Kuba People
material culture analysis
museum anthropology
museum collection
Muslim World
Ota Benga
Pith Helmet
racial identity
racial representation
racism
Royal Geographical Society
United States
United States Museums
US museums
Van Vechten
visual cultural
visual culture theory
William H. Sheppard
Young Men

Product details

  • ISBN 9780367194543
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book is an examination of race, Black African objects, identity, museums at the turn of the 19th century in the U.S. via the history of the earliest collectors of Black African objects in the U.S..

Misrepresenting Black Africa in American Museums explores black identity as a changing, nuanced concept. Focusing on racial history in the United States, this book examines two of the earliest collectors of Black African objects in the United States. First, there is a history of race and ideas of primitiveness is presented. Next, there is a discussion of western concepts of race. Then there is an examination of Karl Steckelmann, the first collector who is a united states citizen. After which there is a critical account of William H. Sheppard, the second collector who is also a black Presbyterian Minister from Virginia. Then a broader discussion of public appearances of Black African images in public. This is followed by a detailed look at museum formation and practices. Next, there is a theoretical discussion of identity and race, and finally, a look at the impact of historical practices that continue into the 21st century.

This book will be of interest to scholars of race and racism, African visual culture, heritage and museum studies.

Pamela Mullins is an Adjunct Faculty Member in the Department of Philosophy and Religion at Radford University, USA.

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