Mixed Media in Contemporary American Literature

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A01=Joelle Mann
African American Literary Tradition
Atocha Station
Author_Joelle Mann
Category=CF
Category=DSBH
Category=JBCT
Ceaseless Creation
Comic Book Fan
communication studies
contemporary American novel media aesthetics
contemporary novel
Contemporary Society
Diasporic History
Diasporic Imaginary
digital humanities
Dos Passos
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Follow
Great World Spin
Harry Houdini
identity construction
Jack Shainman Gallery
John Dos Passos
Kreutzer Sonata
Let The Great World Spin
Literary Voice
Luna Moth
media studies
media theory
multi-media vocality
narrative voice analysis
networked literature
Oscar Wao
Pale King
Rikers Island Correctional Facility
Sonic Memories
Teju Cole's Open City
Teju Cole’s Open City
Trailer Park
Twentieth-century American literature
twenty-first-century American fiction
Viral networking
Vocal mediation
vocality studies
voice studies
Whitman's Poetry
Whitman’s Poetry
Young Men

Product details

  • ISBN 9781032028811
  • Weight: 322g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Mixed Media in Contemporary American Literature: Voices Gone Viral investigates the formation and formulation of the contemporary novel through a historical analysis of voice studies and media studies. After situating research through voices of nineteenth- and twentieth-century American literature, this book examines the expressions of a multi-media vocality, examining the interactions among cultural polemics, aesthetic forms, and changing media in the twenty-first century. The novel studies shown here trace the ways in which the viral aesthetics of the contemporary novel move language out of context, recontextualizing human testimony by galvanizing mixed media forms that shape contemporary literature in our age of networks. Through readings of American authors such as Claudia Rankine, David Foster Wallace, Jennifer Egan, Junot Díaz, Michael Chabon, Joseph O’Neill, Michael Cunningham, and Colum McCann, the book considers how voice acts as a site where identities combine, conform, and are questioned relationally. By listening to and tracing the spoken and unspoken voices of the novel, the author identifies a politics of listening and speaking in our mediated, informational society.

Joelle Mann is faculty in the Writing Initiative at Binghamton University, where she teaches courses on composition, rhetoric, technical writing, and digital writing. Joelle’s research investigates changing medial tropes and their sociopolitical implications in multimodal literature and writing. Aside from earning her doctorate from Stony Brook University, Joelle also has advanced teaching certifications in Media, Art, and Technology as well as in Cultural Studies. She is on the executive board for the SUNY Council on Writing, and she has published articles in a variety of literary journals, including Critique: Contemporary Studies in Fiction, Children’s Literature, The American Encyclopedia of Contemporary Literature, and Pedagogy and Literary Studies.

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