Mixing in Flow

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A01=Jane Arnison
advanced ear sensitivity
audio engineering
Author_Jane Arnison
Category=AVA
Category=AVR
Category=AVX
Category=UYU
critical listening
ear training
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
mix engineers
mixing
professional mix problem solving
psychoacoustic perception
reference track analysis
sound workflow optimisation
spatial audio techniques

Product details

  • ISBN 9781032266442
  • Weight: 380g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 May 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Mixing in Flow is a focused guide for mix engineers who are familiar with the basics of mixing and now seek greater consistency and refinement in their work. Rather than covering every fundamental aspect of mixing, it picks up where many mixers experience a plateau – when they know the mechanics but struggle with inconsistent or lacklustre results.

This book begins by defining the art of mixing, before moving into an intensive bootcamp where readers delve deep into working with the essential tools and developing effective workflows to maximise their potential. Within this framework, special emphasis is placed on ear training and critical engagement with sound. Using a problem-based approach, the focus then shifts to mixing in practice, by exploring common mixing challenges from the perspective of what we hear, with various techniques offered for addressing these sonic issues. The final section covers advanced topics, providing further insights that follow on from the development of core mixing skills.

Designed to inspire readers to develop their unique mixing flow and have confidence in their tools, Mixing in Flow is the ideal companion for anyone looking to improve their mixing, including students and aspiring professional engineers, as well as more experienced mixers looking for new inspiration and continued professional development.

Jane Arnison is a multi-disciplinary sound professional with a career spanning popular and experimental music. Her expertise combines a conservatoire-based music bachelor’s degree, a degree in philosophy and a master's in sound art. Jane’s creative work reflects her diverse background, ranging from collaborations with major labels like Sony Music, mentoring emerging talent, and collaborating on large-scale immersive installations. As a lecturer in production engineering and sound art, Jane teaches at NYU’s Berlin Campus and at FHNW Basel’s Jazz Campus. She frequently leads workshops and speaks at conferences and festivals on sound.

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