Mobility and Migration in Film and Moving Image Art

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A01=Nilgun Bayraktar
Accented Cinema
Author_Nilgun Bayraktar
Banlieue Films
Beur Cinema
border
border studies
British Heritage Films
Category=AB
Category=ATF
Category=ATFA
Category=GTM
Category=JBCC1
Category=JBCT
Category=JBFH
Category=JBSL
Category=JHB
Category=KNP
Category=NHTQ
Category=WG
cinema
diaspora
diasporic cinema
Differential Construction
Eija Liisa Ahtila
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Essay Film
European film
film studies
forced migration representation
Heritage Films
immigration
installation art
International Monetary Fund
location
Maghrebi French
migrant
migration
mobility
Moving Image Art
Performative Encounters
postcolonial migration
Sahara Chronicle
Temporary Detention Center
transnational
transnational film studies
Turkish Contemporary Artists
Turkish German
Turkish German Cinema
Ursula Biemann
Vice Versa
Video Essay
Viewer's Immersion
Viewer’s Immersion
visual culture analysis
Western Sahara
world film
xenophobia in media
Young Man
Zineb Sedira

Product details

  • ISBN 9781138858831
  • Weight: 590g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Dec 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.

Nilgün Bayraktar is an Assistant Professor in the Visual Studies Program at the California College of the Arts. She received her PhD in Performance Studies with a Designated Emphasis in Film & Media Studies from University of California, Berkeley. Her research focuses on transnational cinema, migratory aesthetics, film/video installations, site-specific art, new media, and performance.

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