Modern American Literature and Contemporary Iranian Cinema

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A01=Morteza Yazdanjoo
Abbas Kiarostami
Adaptation Studies
American literature influence on Iranian film
Asghar Farhadi
Author_Morteza Yazdanjoo
Category=ATF
Category=DSA
Category=JBCT
Cinematic Appropriation
comparative literature
Contemporary Iran
Contemporary Iranian Cinema
cross-cultural narrative studies
cultural materialism
Dariush Mehrjui
Dariush Shayegan
Dominant Cultural Order
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fidelity Criticism
gender identity representation
Gentleman Caller
Glass Menagerie
Hot Tin Roof
intertextual analysis
Iranian Blood Transfusion Organization
Iranian Cinema
Islamic Mysticism
literary adaptation theory
Miller Death
Miller's Plays
Miller’s Plays
Modern American Literature
National Identity
Streetcar Named Desire
Sufi Poetry
Wave Tradition
Williams's Plays
Williams’s Plays
Young Man

Product details

  • ISBN 9781032389714
  • Weight: 381g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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As an endeavor to contribute to the burgeoning field of comparative literature, this monograph addresses the dynamic yet understudied "intertextual dialogism" between modern American literature and contemporary Iranian Cinema, pinpointing how the latter appropriates and recontextualizes instances of the former to construct and inculcate vestiges of national/gender identity on the silver screen. Drawing on Louis Montrose’s catchphrase that Cultural Materialism foregrounds "the textuality of history, [and] the historicity of texts", this book contends that literary "texts" are synchronic artifacts prone to myriad intertextual and extra-textual readings and understandings, each historically conditioned. The recontextualization of Herzog, Franny and Zooey, The Glass Menagerie, A Streetcar Named Desire, and Death of a Salesman into contemporary Iran provides an intertextual avenue to delineate the textuality of history and the historicity of texts

Morteza Yazdanjoo is a postdoctoral researcher in English literature and Cultural Studies at Ferdowsi University of Mashhad (FUM) and university lecturer. He teaches a variety of courses on English literature and Cultural Studies and is interested in interdisciplinary studies with a focus on how cinematic appropriations of world literature by Iranian cinema contribute to reflect sociocultural outlooks, values, and challenges in contemporary Iran.

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