Modern History of China's Art Market

Regular price €46.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Kejia Wu
Art
Art Auction
Art Fairs
Art Market
art system infrastructure
Auction House
Author_Kejia Wu
CAA Member
Category=ABQ
Category=AGA
CCP
CCP Central Committee
CCP Committee
CCP's Leadership
CCP’s Leadership
China
China Guardian
Chinese Art
Chinese Art Market
Chinese art market evolution
Chinese Collectors
Chinese Communist Party
Chinese Contemporary Art
contemporary artist case studies
creative economy research
cultural policy analysis
Cultural Revolution
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gdp Growth
Great Rejuvenation
Long Museum
Mainland China
National Library
post-Cultural Revolution transformation
Private Museums
state art institutions
Western Galleries
Xi Jinping
Xi's Speeches
Xi’s Speeches
Zhang Xiaogang

Product details

  • ISBN 9781032287973
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This is the first English-language account of the modern history of China’s art market that explains the radical transformations from the end of the Cultural Revolution, when a market for art and artifacts did not exist, to today.

The book is divided into three sections: Part I examines how the art market in China was suspended during the Cultural Revolution, restarted, grew, and expanded into its current scale. Part II analyzes the distinctive value system of the Chinese art market where the state-run art system including academies, artist associations and museums co-exist with an independent market-oriented system; and traverses the most significant policies that drive decision-making and market structure. Part III explores the driving force of art creation by telling the stories of five contemporary artists across three generations.

Arts and culture professionals, scholars, and students interested in Chinese art, global art markets, Chinese government policy, and China will find this to be a valuable resource.

Kejia Wu is a columnist for the Financial Times Chinese Edition and a trustee of the New York Studio School. She authored The European Fine Art Foundation’s China Art Market Report and was awarded Art Market Observer of the Year by ArtReview Asia, LEAP, and The Art Newspaper China Edition. Previously, she was a member of the faculty at Claremont Graduate University and Sotheby’s Institute of Art and oversaw Asia projects and strategy at Sotheby’s in the office of the CEO. Kejia is a graduate of Yale University and Renmin University.

More from this author