Modern Irish Literature and the Primitive Sublime

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A01=Maria McGarrity
Author_Maria McGarrity
Category=DSBH5
Category=NHD
Celtic Revival analysis
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eq_biography-true-stories
eq_history
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eq_nobargain
eq_non-fiction
identity negotiation literature
Irish cultural studies
Irish Literature
postcolonial theory
primitive sublime in Irish writing
ritual and sacrifice narratives
twentieth-century Ireland history

Product details

  • ISBN 9781032285566
  • Weight: 367g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Mar 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland’s artistic production and the wider global cultural production of postcolonial literature. A concern for and anxiety about the primitive persists within modern Irish culture. The “otherness” within and beyond Ireland’s borders offers writers, from the Celtic Revival through independence and partition to post-9/11, a seductive call through which to negotiate Irish identity. Ultimately, the disquieting awe of the primitive sublime is not simply a momentary recognition of Ireland’s primitive indigenous history but a repeated rhetorical gesture that beckons a transcendent elation brought about by the recognition of the troubled, ritualistic and sacrificial Irish past to reveal a fundamental aspect of the capacity to negotiate identity, viewed through another but intimately reflective of the self, within the long emerging twentieth-century Irish nation.

Maria McGarrity is a professor of English at Long Island University in Brooklyn, New York. She has been published in journals including the James Joyce Quarterly, Ariel: a Review of International English Literature, CLA Journal, and The Journal of West Indian Literature. She has published two monographs, Washed by the Gulf Stream: the Historic and Geographic Relation of Irish and Caribbean Literature (Delaware, 2008) and Allusions in Omeros: Notes and a Guide for Derek Walcott’s Masterpiece (Florida, 2015) and two co-edited collections, Irish Modernism and the Global Primitive (Palgrave, 2009) and Caribbean Irish Connections (University of the West Indies Press, 2015).

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