Modern Murders

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19th century
20th century
A01=Lee Michael-Berger
aesthetic standards
Argos Watches
Author_Lee Michael-Berger
backlash against sensationalism
Camden Town Group
Capital Punishment
Category=DSBH
Category=NHD
Category=NHTB
cultural authority
democratization of art
Dorset Street
Emily Hobhouse
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fin de siecle
Francesca Da Rimini
Great Famine
Illustrated Police News
Irish Republican Brotherhood
Le Gallienne
LNA
Majesty's Theatre
Majesty’s Theatre
Malice Aforethought
Man's Laughter
Man’s Laughter
Mass culture
mass culture debates
Melodrama
Mens Rea
Modern art
Modern culture
Modern Murder
National Anti-Vivisection Society
Newgate Calendar
popular entertainment history
Religious Disparity
Satire
Sensational Melodrama
Sensational Murders
Sensationalism
Shelley Society
Subjective Force
Vice Versa
Victorian
Victorian literature criticism
Vorticism
William Archer

Product details

  • ISBN 9781032120218
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Modern Murders is the first comprehensive study of murder representations during the turn of the century, drawing on previously neglected archival material to explore the intellectual, cultural, and artistic contexts of the period.

Most studies view the abundance of murder representations throughout the nineteenth century as an indicator of a supposedly typical Victorian appetite for sensation and melodrama. Modern Murders, however, demonstrates the turn of the century's backlash against melodramatic and sensational representations of murder and reads them as an important component in the struggles for better aesthetic standards in art and entertainment, and as a dominant feature in the debates on mass culture. Through a plethora of visual and written texts, representations of fictional and actual "real life" murders, and "high" and "popular" forms of writing, the volume considers the importance of murder in the elite claim to cultural authority versus its perception of plebian taste, in the context of the democratization of culture.

This book will be of value to scholars and graduate students in a variety of research areas, as well as general readers interested in the role of murder as a central trope in modern art and culture.

Lee Michael-Berger is Head of the History Department at Beit-Berl College. Her research interests include modern British cultural history, theatre, and fin-de-siècle studies.

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