Modern Russian Cinema as a Battleground in Russia's Information War

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Category=ATF
Category=JBCT
Category=JPWC
Cinema
cinematic discourse analysis
cultural policy analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film industry regulation
Films
Information
media propaganda studies
Modern Russian Cinema
national identity construction
political messaging in Russian films
Russia
state sponsored narratives

Product details

  • ISBN 9781032398174
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jul 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.

Alexander Rojavin, formerly of the theater world, is an intelligence, policy, media, and film analyst specializing in information war history, strategy, and tactics. He is currently the Vice President of Counter Foreign Malign Influence Strategy at Deft9 Solutions, Inc.

Helen Haft is currently an Assistant District Attorney at the Manhattan District Attorney’s Office (she is contributing to this volume in her personal capacity and the views expressed herin do not represent those of the DA's Office or the City of New York). Prior to joining the DA’s office she was a legal fellow at Human Rights in China, after having spent many years studying Russia, with a focus on church-state relations, religiously inspired legislation, and freedom of speech.