Modern Russian Cinema as a Battleground in Russia's Information War
Shipping & Delivery
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
14-28 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Product details
- ISBN 9781032398174
- Weight: 500g
- Dimensions: 156 x 234mm
- Publication Date: 31 Jul 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.
Alexander Rojavin, formerly of the theater world, is an intelligence, policy, media, and film analyst specializing in information war history, strategy, and tactics. He is currently the Vice President of Counter Foreign Malign Influence Strategy at Deft9 Solutions, Inc.
Helen Haft is currently an Assistant District Attorney at the Manhattan District Attorney’s Office (she is contributing to this volume in her personal capacity and the views expressed herin do not represent those of the DA's Office or the City of New York). Prior to joining the DA’s office she was a legal fellow at Human Rights in China, after having spent many years studying Russia, with a focus on church-state relations, religiously inspired legislation, and freedom of speech.
