Modernism and American Mid-20th Century Sacred Architecture
Mid-20th century sacred architecture in America sought to bridge modernism with religion by abstracting cultural and faith traditions and pushing the envelope in the design of houses of worship. Modern architects embraced the challenges of creating sacred spaces that incorporated liturgical changes, evolving congregations, modern architecture, and innovations in building technology.
The book describes the unique context and design aspects of the departure from historicism, and the renewal of heritage and traditions with ground-breaking structural features, deliberate optical effects and modern aesthetics. The contributions, from a pre-eminent group of scholars and practitioners from the US, Australia, and Europe are based on original archival research, historical documents, and field visits to the buildings discussed. Investigating how the authority of the divine was communicated through new forms of architectural design, these examinations map the materiality of liturgical change and communal worship during the mid-20th century.
Anat Geva is a registered architect and a Professor of Architecture at Texas A&M University, where she teaches design, sacred architecture, history of building technology, and preservation. She has a long list of publications including a book, Frank Lloyd Wright’s Sacred Architecture: Faith, Form, and Building Technology, published in 2012. She co-founded and co-edited the journal of the National Council of Preservation Education, Preservation Education & Research (PER), and was a co-editor of ARRIS (SESAH’s Journal). She was one of the founders of the Forum on Architecture, Culture, and Spirituality (ACS) and served as a member on their executive committee. She is the past president of the Southeast Chapter of the Society of Architectural Historians (SESAH), and past secretary of the National Council for Preservation Education (NCPE).