Modernists and the Theatre

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20th-century drama
A01=James Moran
Author_James Moran
Bloomsbury group
Category=ATD
Category=DSBH
Category=DSG
early 20th-century theatre
Eliot
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
high-modernism
high-modernists
Joyce
Lawrence
Leonard Woolf
modernist drama
modernist literature
modernist playwrights
modernist writers
Pound
Woolf
Yeats

Product details

  • ISBN 9781350282438
  • Weight: 340g
  • Dimensions: 138 x 214mm
  • Publication Date: 13 Jul 2023
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Modernists and the Theatre examines how six key modernists, who are best known as poets and novelists, engaged with the realm of theatre and performance. Drawing on a wealth of unfamiliar archival material and fresh readings of neglected documents, James Moran demonstrates how these literary figures interacted with the playhouse, exploring W.B. Yeats’s earliest playwriting, Ezra Pound’s onstage acting, the links between James Joyce’s and D.H. Lawrence’s sense of drama, T.S. Eliot’s thinking about theatrical popularity, and the feminist politics of Virginia Woolf’s small-scale theatrical experimentation.

While these modernists often made hostile comments about drama, this volume highlights how the writers were all repeatedly drawn to the form. While Yeats and Pound were fascinated by the controlling aspect of theatre, other authors felt inspired by theatre as a democratic forum in which dissenting voices could be heard. Some of these modernists used theatre to express and explore identities that had previously been sidelined in the public forum, including the working-class mining communities of Lawrence’s plays, the sexually unconventional and non-binary gender expressions of Joyce’s fiction, and the female experience that Woolf sought to represent and discuss in terms of theatrical performance.

These writers may be known primarily for creating non-dramatic texts, but this book demonstrates the importance of the theatre to the activities of these authors, and shows how a sense of the theatrical repeatedly motivated the wider thinking and writing of six major figures in literary history.

James Moran is Professor of Modern English Literature and Drama at the University of Nottingham, UK.

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