Modernization of Korean Theatre in the 20th Century

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A01=Meewon Lee
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Category1=Non-Fiction
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Category=ATD
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East Asian drama
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eq_history
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Korean performance studies
Korean realism theatre
Korean theatrical modernisation history
Language_English
Little Theatre Movement
Madanggeuk
Madanggeuk tradition
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postcolonial theatre analysis
Postmodern theatre
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Singeuk
Singeuk realism
Sinpa
Sinpa melodrama
softlaunch
Theatre of Ideology

Product details

  • ISBN 9781032791418
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Sep 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Lee provides a comprehensive guide that traces the transformation of Korean theatre from traditional to modern theatre and examines the impact of the introduction of Western plays to Korean society.

Important changes in Korean theatre are discussed chronologically from the beginning of the modernization: Sinpa Theatre, Singeuk Theatre, Theatre of Ideology, The Little Theatre Movement, Madanggeuk, experiments for modernizing traditional Korean theatrical arts, and transitions to postmodern theatre. These changes happened rapidly and coupled with Eurocentric globalization. By the end of the century, the reinterpretations of Western drama like Shakespeare's plays had reached a point where they received attention from the Western world. Today, Korean theatre keeps pace with the world theatre and strives to contribute as a member of it.

This book is a vital resource for scholars and students pursuing Korean studies and East Asian theatres with an authentic Korean perspective from a Korean scholar who has lived and researched in Korea.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Meewon Lee is Professor Emerita of Korea National University of Arts in Seoul, Korea. Her publications include Korean Traditions and Performances in the Postmodern Era. She is focused on esthetics of Korean theatre, related to its traditions and world theatre.

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