Modernizing Costume Design, 1820–1920

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19th century theatre
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Act III
Aesthetics
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Aoife Monks
Art History
Author_Annie Holt
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Bakst's Costumes
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Ballet Costume
Ballet Skirt
Ballets Russes
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Clothing functions
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Costume Design
Costume Sketch
Couture
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dramaturgical analysis
Dramaturgy
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Euro-American's practices of costume design
Gender Studies
Georg II
historic costume research
Historical Costume
La Fenice
La Sylphide
La Traviata
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Le Coq
Le Spectre De La Rose
Merry Widow
Modernism
modernist costume evolution
Moscow Art Theatre
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Paul Poiret
performance studies
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Scenography
softlaunch
Stage Garments
stage semiotics
Terry's Performance
Terry’s Performance
theatre history
Vice Versa
visual culture
Young Man

Product details

  • ISBN 9780367561161
  • Weight: 180g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Apr 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer’s taste or status. She argues that in the period 1820–1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator.

Modernizing Costume Design traces how five kinds of artists – directors, performers, writers, couturiers, and painters – made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.

Annie Holt is Assistant Professor in the Department of Humanities and Philosophy, University of Central Oklahoma, USA. Her research focuses on costume design and embodiment, including articles in Studies in Costume and Performance, Theatre and Performance Design, and Mime Journal.

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