Modes of Composition and the Durability of Style in Literature

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A01=David Hoover
Author_David Hoover
authorial identity detection
Authorship Attribution
Bootstrap Consensus Trees
Category=DS
Category=DSB
Category=DSBF
Category=DSBH
computational literary style evolution
Computational Stylistics
Conrad's Style
Conrad’s Style
De Stancy
dictation
digital humanities
Durable Elements
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Frequent Words
George Mills
Holmes Stories
James's Late Style
James's Style
James’s Late Style
James’s Style
King's Style
King’s Style
Latent Dirichlet Allocation
literary authorship
Maisie Knew
Manuscript Sections
Octavia Butler
Principal Components Analysis Loading Plot
Quick Cluster Analysis
Revised Page Proofs
Rolling Stone Interview
Simple Cluster Analysis
stylometric analysis
SVM Classification
text analysis methods
Translator Pairs
Tutor's Story
Tutor’s Story
typewriting
word processing
writing process research
writing technologies
Young Man

Product details

  • ISBN 9780367366728
  • Weight: 600g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Nov 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Modes of Composition and the Durability of Style employs the tools and methods of computational stylistics to show that style is extremely resistant to changes in how texts are produced. Addressing an array of canonical writers, including William Faulkner, Joseph Conrad, Thomas Hardy, and Henry James, along with popular contemporary writers like Stephen King and Ian McEwan, this volume presents a systematic study of changes in mode of composition and writing technologies. Computational analysis of texts produced in multiple circumstances of composition, such as dictation, handwriting, typewriting, word processing, and translation, reveals the extraordinary durability of authorial style. Modes of Composition and the Durability of Style in Literature will be essential for readers interested in exploring the rapidly expanding field of digital approaches to literature.

David L. Hoover, Professor of English at New York University, holds a Ph.D. in English Language from Indiana University. He is Project Partner, “Quantitative Criticism,” Universität Stuttgart; Co-Investigator, “Distant Reading for European Literary History” (COST); and Advisor, “The Riddle of Literary Quality” (Netherlands). He is the author of “Simulations and Difficult Problems” (2019) and “The Microanalysis of Style Variation” (2017) in Digital Scholarship in the Humanities, and Digital Literary Studies (with Culpeper and O’Halloran, Routledge, 2014).

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