Monarchy, Print Culture, and Reverence in Early Modern England

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A01=Stephanie E. Koscak
affective subjectivity history
Anamorphic Images
Anamorphic Portrait
Arcana Imperii
Author_Stephanie E. Koscak
Basilikon Doron
Beinecke Rare Book
Category=NHD
Category=NHTB
Common Language
early Hanoverian England's
early modern public sphere
EB65 G1167
Eikon Basilike
Emblem Books
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George II's Reign
George III
George II’s Reign
Georgian Kings
Graphic Satire
James III
Jean De Dinteville
Johan Zoffany
loyalist material culture
loyalist print culture
monarchical reverence
monarchy historiography
Penny Post
political iconography England
Pope Paul III
Popish Plot
Portrait Prints
print media monarchy representation
Regal Images
royal portraiture analysis
Royal Sign
royalism mediation
Sham Plot
Stuart period visual culture
Van Hoogstraten
William III

Product details

  • ISBN 9781032237206
  • Weight: 557g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.

Stephanie E. Koscak is Assistant Professor of Early Modern British History at Wake Forest University.

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