Mongolian Sound Worlds

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A32=Andrew Colwell
A32=Bayarsaikhan Badamsuren
A32=Charlotte D'Evelyn
A32=Johanni Curtet
A32=Otgonbayar Chuluunbaatar
A32=Tamir Hargana
A32=Tserendava Dashdorj
Age Group_Uncategorized
Age Group_Uncategorized
Anda Union
automatic-update
B01=Charlotte D'Evelyn
B01=Jennifer C. Post
B01=Sunmin Yoon
capitalism
Category1=Non-Fiction
Category=AV
Category=AVA
Category=AVGH
Category=AVLT
China
COP=United States
cultural heritage
Delivery_Delivery within 10-20 working days
democracy
dombyra
ecological knowledge
economic system
epic singing
epics
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnography
folk ensembles
forests
globalization
grasslands
heavy metal
herders
horsehead fiddle
horses
Inner Mongolia
instruments
Intangible Cultural Heritage ICH
khoomii
Language_English
long-song
mining
Mongol
Mongolian Kazakh
morin khuur
musicians
nationalism
nature
PA=Available
pastoralism
popular music
Price_€20 to €50
PS=Active
socialism
softlaunch
spirituality
The Hu
throat singing
tovshuur
Ulaanbaatar
Uriankhai
urtyn duu
well-being
women

Product details

  • ISBN 9780252086441
  • Weight: 481g
  • Dimensions: 156 x 235mm
  • Publication Date: 12 Apr 2022
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation’s past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia’s genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders’ music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation.

A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture.

Contributors: Bayarsaikhan Badamsuren, Otgonbaayar Chuulunbaatar, Andrew Colwell, Johanni Curtet, Charlotte D’Evelyn, Tamir Hargana, Peter K. Marsh, K. Oktyabr, Rebekah Plueckhahn, Jennifer C. Post, D. Tserendavaa, and Sunmin Yoon

Jennifer C. Post is a senior lecturer in the School of Music at the University of Arizona. Sunmin Yoon is an adjunct assistant professor in the School of Music and Department of Languages, Literatures & Cultures, at the University of Delaware. Charlotte D’Evelyn is an assistant professor in the Music Department at Skidmore College.