Monographic Exhibitions and the History of Art

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art exhibition history
art historiography
art museums
artist canon formation
artist retrospective
Artistic Monograph
Camilla Murgia
Casa Buonarroti
Category=AGA
Category=AGB
Category=AGC
Category=GLZ
Category=NHAH
Catherine Scallen
contemporary art
curatorial practice
curatorial studies
Della
Des Beaux Arts
Donatella Pegazzano
Elisa Camporeale
Elisa Gradi
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evi Baniotopoulou
Exhibition Catalogue
exhibition history
Gabriele Guercio
Giuliana Tomasella
Grosvenor Gallery
Heiner Krellig
Henry Keazor
Ingres
Italian Art Historians
Joaneath Spicer
Kate Kangaslahti
Konstantinos J. Stefanis
Lena Bader
Livia Stoenescu
Luca Pezzuto
Marie-Claire Rodriguez
Master Exhibitions
Max Jordan
Michelangelo's Work
Michelangelo’s Work
modern art
Monika Keska
monographic exhibition
Monographic Exhibitions
Monographic Show
museum studies
Nuova Antologia
Oil On Canvas
Old Masters
Paul Delaroche
Petra ten-Doesschate Chu
Pietro
Posthumous Retrospectives
Poussin
retrospective analysis
Retrospective Exhibitions
Ronit Milano
Royal Academy
Ruth E. Iskin
Saskia Putz
Silvia Catitti
single-artist exhibition research
Van De Wetering
Vasari
Vice Versa
Young Men

Product details

  • ISBN 9780367667030
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hone’s 1775 exhibition, the Holbein Exhibition of 1871, the Courbet retrospective of 1882, Titian's exhibition in Venice, Poussin's Louvre retrospective of 1960, and El Greco's anniversaty exhibitions of 2014.

This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hone’s 1775 exhibition, the Holbein Exhibition of 1871, the Courbet retrospective of 1882, Titian's exhibition in Venice, Poussin's Louvre retrospective of 1960, and El Greco's anniversaty exhibitions of 2014.