Monstrous Opera

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A01=Charles Dill
Abbreviation (music)
Age Group_Uncategorized
Age Group_Uncategorized
Amour (musical)
Antoine (musician)
Aria
Armide (Gluck)
Author_Charles Dill
automatic-update
Candide
Castor et Pollux
Category1=Non-Fiction
Category=AVGC9
Category=AVLF
Chansonnier
Charivari
Chiaroscuro (music)
Comic opera
Composer
COP=United States
Critical edition (opera)
Daft
Declamation
Delivery_Pre-order
Dieu
Doggerel
Dramaturgy
Droll
Early music
Epic poetry
Epigram
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fairy tale
For Example
French opera
Gabriel Bonnot de Mably
Genre
Grand manner
Hippolyte et Aricie
Irony
Jacques Lacan
Jean Racine
Jean-Jacques Rousseau
Jean-Philippe Rameau
Jeux
La Jalousie
Language_English
Les Indes galantes
Libretto
Monologue
Music Is
Music theory
Musical setting
Musical syntax
My Prayer
Narrative
Orfeo ed Euridice
PA=Temporarily unavailable
Phrase (music)
Plot device
Poetry
Price_€50 to €100
Prolongation
PS=Active
Pure Music
Querelle
Querelle des Bouffons
Quibble (plot device)
Reality principle
Reinterpretation
Roland Barthes
Satire
Seriousness
Silliness
softlaunch
Song and Dance
Sophocles
Stuttering
Tonality
Traditional story
Tragedy
V.
Verisimilitude (fiction)
Writing
Zoroastre

Product details

  • ISBN 9780691633336
  • Weight: 482g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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