Accademia Degli Incogniti
Act Iii
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Alan Curtis
Andrew Parrott
Anthony Pryer
Aria Styles
Artusi Monteverdi Controversy
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B01=Richard Wistreich
B09=David Ledbetter
Ballo Delle Ingrate
Barbara Russano Hanning
Basso Continuo
Category1=Non-Fiction
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Category=AVLA
Claudio Monteverdi
compositional theory analysis
COP=United Kingdom
Cruda Amarilli
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early baroque music
early modern music scholarship
Ellen Rosand
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Ferdinand III
Gary Tomlinson
gender in musicology
Geoffrey Chew
Giulio Cesare Monteverdi
Iain Fenlon
Il Pastor Fido
Jeffrey G. Kurtzman
Lamento Della Ninfa
Language_English
Madrigali Guerrieri
Massimo Ossi
Monteverdi's Setting
Monteverdi’s Setting
music historiography
musical representation language
Nino Pirrotta
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performance practice research
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Ricciardo Amadino
Scherzi Musicali
Seconda Pratica
Seconda Prattica
Selva Morale
SN=The Baroque Composers
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Stile Concitato
Susan Mcclary
Susan Parisi
Suzanne G. Cusick
Syntagma Musicum
Tim Carter
Trattato Della Musica Scenica
Vincenzo Galilei
Wendy Heller
Zefiro Torna
Product details
- ISBN 9780754629023
- Weight: 1348g
- Dimensions: 169 x 244mm
- Publication Date: 23 Dec 2010
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a 'new dispensation' between words and their musical expression; perhaps even 'Creator of Modern Music'. During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the 'big' questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies.
Richard Wistreich, Director of Research, Royal College of Music, London, UK
