Monumental Names

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A01=Galina Oustinova-Stjepanovic
A3 Poster
anthropology of memory
archival activism
Archival Aesthetics
Author_Galina Oustinova-Stjepanovic
Category=GLP
Category=JHMC
commemorative practices
Commemorative Statement
Commemorative Theme
Commemorative Work
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Errant Boulder
ethnographic study of Russian archives
Extended Temporality
Federal Security Bureau
FSB.
Gulag Museum
historical justice theory
Inoperative Community
International News Channels
Lubyanka Square
Mass Atrocity
mass atrocity documentation
Mathematical Sublime
Monumental Names
Official State Archive
Participatory Archives
Reading Ceremony
Russian Orthodox Church
Russian Orthodox Priests
Simple Mathematical Operations
Soviet political repression
Stalinist Atrocities
Victory Day
Young Men

Product details

  • ISBN 9780367701895
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What stands behind the propensity to remember victims of mass atrocities by their personal names? Grounded in ethnographic and archival research with Last Address and Memorial, one of the oldest independent archives of Soviet political repressions in Moscow and a winner of the Nobel Peace Prize, the book examines a version of archival activism that is centred on various practices of documentation and commemoration of many dead victims of historical violence in Russia to understand what kind of historicity is produced when a single name is added to an endless list. What do acts of accumulation of names of the dead affirm when they are concretised in monuments and performance events? The key premise is that multimodal inscriptions of names of the dead entail a political, aesthetic and conceptual movement between singularity and multitude that honours each dead name yet conveys the scale of a mass atrocity without reducing it to a number. Drawing on anthropology, history, philosophy, and aesthetic theory, the book yields a new perspective on the politics of archival and historical justice while it critically engages with the debates on relations and distinctions between names and numbers of the dead, monumental art and its political effects, law and history, image and text, the specific one and the infinite many.

Galina Oustinova-Stjepanovic is a Lecturer in Social Anthropology and Sociology at the Department of Sociology at the University of Glasgow, UK.

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