Moral Play and Counterpublic

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A01=Ineke Murakami
allegorical characters
Artisanal Ethos
Author_Ineke Murakami
Category=DSB
Category=DSBB
Category=DSG
Category=N
Chronicle Plays
drama
early
early modern theater studies
English Renaissance drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Free Grammar School
Hellish Fall
Intellectual Gifts
Itinerant Players
Jacobean Revenge Tragedies
Jonson's Work
Jonson’s Work
livest
longer
Longer Thou Livest
Longer Tracks
Low Brow Humor
Marlowe's Audience
Marlowe’s Audience
Martyr's Tale
Martyr’s Tale
modern
Monstrous Ambition
Moral Drama
non-elite counterpublic formation
Peter Holland
Phobic Object
political subjectivity
professional theater history
Public Offi Ce
Ramist Dialectic
Robert Greene
Sacrifi Ce
Social Alliances
social hierarchy critique
superfl
Superfl Uity
thou
uity
Vice Versa
wager
william
Young Men

Product details

  • ISBN 9780415886314
  • Weight: 640g
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Feb 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this study, Murakami overturns the misconception that popular English morality plays were simple medieval vehicles for disseminating conservative religious doctrine. On the contrary, Murakami finds that moral drama came into its own in the sixteenth century as a method for challenging normative views on ethics, economics, social rank, and political obligation. From its inception in itinerate troupe productions of the late fifteenth century, "moral play" served not as a cloistered form, but as a volatile public forum. This book demonstrates how the genre’s apparently inert conventions—from allegorical characters to the battle between good and evil for Mankind’s soul—veiled critical explorations of topical issues. Through close analysis of plays representing key moments of formal and ideological innovation from 1465 to 1599, Murakami makes a new argument for what is at stake in the much-discussed anxiety around the entwined social practices of professional theater and the emergent capitalist market. Moral play fostered a phenomenon that was ultimately more threatening to ‘the peace’ of the realm than either theater or the notorious market--a political self-consciousness that gave rise to ephemeral, non-elite counterpublics who defined themselves against institutional forms of authority.

Ineke Murakami is Assistant Professor of English at SUNY, Albany.

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