More than One Picture

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A01=Felix Thurlemann
abstract art
Aby Warburg
Age Group_Uncategorized
Age Group_Uncategorized
Andre Malraux
art
art auction
art collectors
art criticism
art education
art exhibitions
art forms
art galleries
art historians
Art history
art theory
Author_Felix Thurlemann
automatic-update
calculated ensembles
Category1=Non-Fiction
Category=AB
Category=AGC
collectors
COP=United States
curation
curators
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibitions
flood of images
Frans Francker der Jungere
Go to an Art Museum Day
Heinrich Wolfflin
Johann Valentin Prehn
Language_English
Musee imaginaire
PA=Available
Pablo Picasso
Pierre Bonnard
Pinacoteca
pinakothekai
Price_€20 to €50
principle of distancing
PS=Active
softlaunch
visual semiotics
Vivant Denon
Wolfgang Tillmans

Product details

  • ISBN 9781606066256
  • Dimensions: 159 x 235mm
  • Publication Date: 26 Nov 2019
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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In exhibitions, illustrated art books, and classrooms, artworks or their photographic reproductions are arranged as calculated ensembles that have their own importance. In this volume, Felix Thurlemann develops a theory of this type of image use, arguing that with each new gathering of images, an art object is reinterpreted. These hyperimages have played a major role in the history of art since the seventeenth century, and the main actors of the art world are all hyperimage creators. In part because the hyperimage is not permanently available, this interplay of images has been largely unexplored. Through case studies organized within three groups of producers-collectors and curators, art historians, and artists-Thurlemann proposes a theory of the hyperimage, explores the semiotic nature of this plural image use, and discusses the arrangement and interpretation of such pictures in order to illuminate the phenomenon of Western image culture from the beginning of the seventeenth century until today. His analysis of the ways in which images are assembled and associated provides a crucial context for the explosive present-day deployment of images on digital devices.
Felix Thurlemann is professor of art history at the University of Konstanz.

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