Mormon Visual Culture and the American West

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art history
artists
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Black Hawk War
Brigham Young
Brigham Young University
C. C. A. Christensen
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Christensen's Work
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Deseret News
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gender
gender and race studies
gendered activities
Great Salt Lake
Halftone Photograph
Hill Cumorah
indigenous representation
Language_English
Latter-day Saint art
Latter-day Saint artists
Latter-Day Saints
LDS
LDS Church
Mormon art and society debates
Mormon Crickets
Mormon History
Mormon Panorama
Mormon Settlers
Mormon Theology
Mormon visual culture
Mormon Women
Mormonism
Native Americans
nineteenth century
Nineteenth Century Mormonism
nineteenth-century religion
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Plural Marriage
politics
polygamy
polygamy history
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race
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religion
Saints' political position
Salt Lake Temple
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sexuality
softlaunch
Territorial Era
theology
tribes
United States
Utah
Utah Pioneers
Utah Territory
visual culture
visual theology
Wasatch Front
Western American art
Young Man

Product details

  • ISBN 9780367711344
  • Weight: 426g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores the place of art in Latter-day Saint society during the first 50 years of the Utah settlement, beginning in 1847.

Nathan Rees uncovers the critical role that images played in nineteenth-century Mormon religion, politics, and social practice. These artists not only represented, but actively participated in debates about theology, politics, race, gender, and sexuality at a time when Latter-day Saints were grappling with evolving doctrine, conflict with Native Americans, and political turmoil resulting from their practice of polygamy.

The book makes an important contribution to art history, Mormon studies, American studies, and religious studies.

Nathan Rees is Assistant Professor of Art History at the University of West Georgia.

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