Moroccan Cinema Uncut

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A01=Flo Martin
A01=Jamal Bahmad
A01=Will Higbee
Age Group_Uncategorized
Age Group_Uncategorized
Author_Flo Martin
Author_Jamal Bahmad
Author_Will Higbee
automatic-update
Category1=Non-Fiction
Category=APFA
Category=ATFA
cinema of small nations
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film co-production
Language_English
Moroccan cinema
Moroccan film industry
North African cinema
PA=Available
Price_€50 to €100
PS=Active
softlaunch
transnational cinema

Product details

  • ISBN 9781474477932
  • Weight: 576g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Aug 2020
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.
Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012). Florence Martin is the Van Meter Professor of French Transnational Studies at Goucher College (US). She has published internationally on Maghrebi cinema and women’s cinema. Her international publications on Maghrebi and women’s cinema include Screens and Veils: Maghrebi Women’s Cinema (IUP, 2011) and her co-edition of Les Cinémas du Maghreb et leurs publics (Africultures, 2013). Dr Jamal Bahmad is Lecturer in the English Department at Mohammed V University at Agdal, Morocco.

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