Moscow Performances

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A01=John Freedman
Author_John Freedman
bronnaya
Category=ATD
Category=ATDF
Cherry Orchard
contemporary Russian drama
Dead Man
drama
Eastern European performing arts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Foma Opiskin
Lenkom Theater
Magnificent Cuckold
malaya
Malaya Bronnaya Theater
Maly Drama Theater
Maly Theater
Mayakovsky Theater
mossoviet
Mossoviet Theater
oleg
Oleg Tabakov
Oleg Yefremov
Pas De Trois
performance studies research
post-Soviet cultural studies
post-Soviet Russian theatre transformation
Rain Drops
Rain Worms
Russian stage criticism
Russian Theater
stanislavsky
Stanislavsky Drama Theater
tabakov
taganka
Taganka Actors
Taganka Theater
theater
theatre production analysis
Uncle Vanya
Uncle's Dream
Uncle’s Dream
vakhtangov
Vakhtangov Theater
Young Man
Young Spectator Theater
Yury Lyubimov

Product details

  • ISBN 9789057021817
  • Weight: 680g
  • Dimensions: 189 x 246mm
  • Publication Date: 07 Apr 1998
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The reviews and features collected in John Freedman's Moscow Performances bring to life the diversity, energy, and imagination of Russian theater as few books have done before. While focusing on the work of Moscow's leading directors - Pyotr Fomenko, Kama Ginkas, Valery Fokin, Anatoly Vasilyev, Konstantin Raikin, Sergei Zhenovach, Yury Lyubimov, and many others - also included in its review are key productions by many of the renowned guests who bring their art to the Russian capital. Essays on St. Petersburg's Lev Dodin (of the Maly Drama Theatre), Lithuania's Eimuntas Nekrosius, Georgia's Robert Sturua, and Germany's Peter Stein confirm that Moscow's position as a "theatrical mecca" has not diminished since Anatoly Lunacharsky coined the phrase in the 1920s.
In addition to recording Freedman's immediate and opinionated responses to Moscow stage developments in the 1990s, Moscow Performances contains a wealth of information about the struggles and occasional triumphs of a new generation of talented but as yet unknown playwrights, the successes of the best actors, and the social and financial trends which have had such an impact on Russian theatre in the post-Soviet period.

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